Sylvain Denis

Sylvain Denis is a photographer born and raised in Montreal, Canada. Currently residing in Fort Lauderdale, Florida, where he works as a freelance photographer specializing in portrait, fashion, physique, and promotional-commercial work. Sylvain’s interest in photography began at a young age, influenced by his own experience as a model for a fitness publication based in New York City. While living in New York City, Sylvain’s work encompassed a wide spectrum of commissions, running the gamut from assignments for Time Magazine, photographing athletes in the USA and Europe for American and European publications to shooting high fashion, collaborating with top stylists and designers. Sylvain’s commercial work has appeared in magazines both nationally and internationally.

Axel Lefrancais

In 2012, Axel LEFRANCAIS began his activity as a sculptor. Self-taught and passionate about art since always, he is inspired by what surrounds him: fashion, news, street art, etc...
This versatile artist works with materials such as resin, aluminum and plexiglass.

I am fighting for people to accept the idea that this is an aesthetic, magnificent object, sadly intended for war. My mission is to make grenades unnecessary, turning them into works of art. My biggest model so far is two metres tall, and right now I am working on a 4-metre mold. I also have my real-size “grenadines”, experimenting with a number of different paints and plasters, big and small. Every grenade is unique.

Tommy Zen

From Venetian descent, cabinetmaking was passed on to us from father to son for generations.
From a young age I discovered a passion for clay, which encouraged me to merge the art of gilding on furniture with gilding on ceramic, thus perpetuating the family tradition in a new way.
Clay, the ecological heritage of Gaia, has enabled me, as a human being, to grasp by chance or by assiduous research, the many possibilities of interpretation of form and function up to the spiritually symbolic elevation. For me, the three-dimensional shape with a human anatomical reference is a canvas allowing me to dress the subject with a palette of pigment expressing a multitude of sensory messages. My many trips and immersion stays with artists from all continents have contributed to give my creations deep references, which vibrate strings linked to our ancestral memories. From the Italian Renaissance, I borrow oxidants on bronze or silver foil, from ancient China, lacquered varnishes that create the shades of a depth where the eye gets lost in iridescence.

From the sky, I borrow at dawn the shimmer of the blue hour and at half-light the intensity of its flaming reds.

Karl Stengel

Karl Stengel has lived through important and dramatic periods in the history of 20th century art. Born in 1925 in Novi Sad, on the banks of the Danube, from his early childhood he had the impulse to “have to” draw and was strongly attracted by the contrast of black and white. After the war and the years in the Russian prison camp, a long time passed before a middle class student could be admitted to an art academy. It was the period of Socialist Realism, a style imposed by the Soviet Communist Party. There was no room for artistic individualism, or to seek one’s own possibilities, expressive style, or creativity. Upon the arrival of the Soviet tanks with the occupation of Hungary in 1956, Karl Stengel fled to Munich in Germany.
Karl then worked as an art teacher in Germany and on retirement lived and painted between his homes in Germany and Loro Ciuffenna near Arezzo. His works are divided into two major groups: the large canvases dominated by color, of strong emotional and lyrical abstract expressionist impact, that have their roots sunk in post-war American and European informel experimentation and in some pre-war Russian avant-garde art. The more surreal representations often of a smaller size on paper, have a more markedly European ancestry, in particular German Expressionism, and may for example, express a faceless male figure on stage. Music and literature were of great importance to Karl and references to them can often be seen in his works.
Karl Stengel passed away in his beloved Tuscan countryside, 25 June 2017.
Karl Stengel had exhibitions in the USA (NYC, Miami), Norway, Romania, Poland (Krakow, Warsaw), France (Paris, Cannes), Spain and Mexico. The first ever exhibition was in 1943, in the Russian camp in Siberia where Karl was a prisoner of war and showed his portraits. An officer saw Karl drawing with a piece of charcoal on a cement bag and provided him paper and pencil to portray him and his colleagues. In Germany, he had many shows in Berlin and in Munich, where the Institute of Italian Culture presented his illustrations of Boccaccio’s Decameron and Giuseppe Ungaretti’s Frammenti. In 2015, Stengel showed at Palazzo Mora in the context of the Biennale di Venezia. In that same year, he won the first prize at international contest of GemlucArt in Monte-Carlo. In 2016, he had a solo show at Palazzo Loredan in Venice, where the Istituto Veneto di Scienze, Lettere et Arti is based, as well as another solo show at the Galerie Ribolzi in Monte-Carlo, where the opening was attended by HRH Princess Caroline of Hanover.